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This article interrogates the emerging modes of civic engagement connected to the mobile camera-phone, and the ways in which they require us to rethink what it is to bear witness to brutality in the age of fundamentally camera-mediated mass self-publication. I argue that the camera-phone permits entirely new performative rituals of bearing witness, such as dissenting bodies en masse recording their own repression and, via wireless global communication networks, effectively mobilizing this footage as graphic testimony in a bid to produce feelings of political solidarity. Critically, the performance of what I elect to call ‘citizen camera-witnessing’, as exemplified by contemporary street opposition movements including those in Burma, Iran, Egypt, Libya and Syria, derives its potency from the ways it reactivates the idea of martyrdom: that is, from its distinct claim to truth in the name of afflicted people who put their bodies on the line to record the injustice of oppression.

During the process of modernization, a number of Islamic countries encouraged women to unveil. Among them, only Iran has recently returned to the earlier era of requiring women to veil themselves as the precondition of presence in public spaces. However, this time the difference was that women were already present in almost all public spaces: in universities, administrations, industries, and even in the government. Being marginalized after the revolution, Iranian women have learned how to overcome the obstacle of the veil. To maintain their presence and activity in public, they constantly reinvented new strategies to challenge the existing authority, by claiming, appropriating, and re-inventing new public spaces. Paradoxically, the reveiling of women and the gender segregation of public spaces helped many traditional women enter public spheres as social actors and to gain power, albeit in silence, in different socio-political and cultural fields. Today, more than ever, Iranian women try to conquer new public spaces/ public spheres with their transparent visibility and with a stress on their differences.

The study engages with the ways in which gender mix plays out in public spaces as a key issue in exploring social diversity and vitality of the urban public life. The paper introduces a mapping method to unravel how gender differences are spatially manifested in urban public spaces. Thus, urban mapping has been considered as a method for producing a kind of spatial knowledge that has the capacity to shed light on how different socio-spatial patterns play out in public open spaces. The proposed mapping method documents where and the extent to which female and male users appropriate urban public spaces. The database for developing and testing the proposed method emerges from two site areas in the city of Tehran. In doing so, the study draws upon direct observation, fieldwork notes, visual recording, and urban mapping as research methods. In this way, the paper raises questions about the importance of gender mix in public space and the ways in which mapping has the capacity to inform urban research.

Functioning public spaces, as ‘public’ political, social, and cultural arenas of citizen discourse, affect not only the citizen’s quality of life, but are also indispensable infrastructure in democratic societies. This article offers a nuanced understanding of Iranian women’s usage, feelings, and preferences in public spaces in present-day Tehran by not simply importing Western theories that sustain distinctions between traditional and modern women, but instead by hearing women’s stories. This article raises concerns related to the gender identities, the politics of space, and design of these places. Meidan-e-Tajrish, Sabz-e-Meidan, and Marvi Meidancheh in Tehran accommodate an ethnographic visualization of gendering space. The process by which Iranian women attach symbolic meanings to those public spaces offers insight into the mutual construction of gender identities and space politics. The contrasting urban locations, different design styles, and distinct social activities provide an excellent comparison between the selected public spaces. Findings suggest caution in using gender as an essential category in feminist geography research to better represent the diversity of experiences in public spaces. Binary categorization of modern versus traditional, secular versus religious, public versus private, and male versus female in urban studies should be carefully validated as Iranian women’s lived experiences challenge the homogenizing Western theories, particularly the predominant critics of modern public spaces in North America. The research process also highlights the benefits of geo-visualization in understanding the complex interaction between gender identities and the built environment.